I saw Mon Oncle for the first time in Sweden in 1999. I bought it on video. I’ve since seen Les Vacances de Monsieur Hulot and Playtime. I’ll be honest, it took me a while to get into Tati’s movies. I think he’s an acquired taste. From what I read, he shot his films silently…
Category: Filmmaking
That One Time 49 People Thought I Was Having a Breakdown
In 2005, I was experimenting with character monologues instead of just stand-up. I wanted to draw more from my background in theatre. My solo show Please Stop Trying To Kill Me, Dad was more along the lines of stand-up theatre or stand-up storytelling. I had taken it to the Edinburgh Fringe in 2004 and was…
Restoration Comedy and Derek Zoolander
This is a period of English theatrical history I adore. When most teenagers in the ’90s were discovering Dylan, The Stones, Hendrix, etc. I was discovering comedy albums on C.D. and vinyl like Jonathan Winters, Bob Newhart, Steve Martin, and periods in comedy history like Restoration comedy, Commedia dell’arte, or comic playwrights like Aristophanes. Out…
Comedy Screenwriting: Set Pieces
“Stories are about fucked up people.” – Judd Apatow When I first started writing scripts, in the early ’90s, I was really into Buster Keaton and The Marx Brothers. Which is great from a comedy history/geek perspective, but not so much when it comes to screenwriting. Keaton’s philosophy was figure out the beginning, and the…
Comedy Screenwriting: Story vs. Jokes
“In that moment what would you say? Forget the joke. What would you say?” – Garry Shandling. When it comes to comedy screenwriting, sometimes (but not all the time by any means) story can take a backseat to spectacle or humor. Whether or not it should I think comes down to personal taste. So I…